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Is Landmarking Out of Control? Review of Crain's NY Business First Look Event

5/22/2014

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Can a table of five powerful preservation and development voices come to agreement regarding landmarking and development? Crain’s New York Business held a forum earlier this week - “Is Landmarking Out of Control?” to address the issues from a variety of perspectives.

LANDMARKING IS NOT THE ENEMY – Peg Breen 
Peg Breen, President of the New York Landmarks Conservancy, emphasized that landmarking is not the enemy. Historic districts are important and landmarked buildings do contribute to affordable housing. Giving clarity to who should be making decisions about such things, Breen stated, “It shouldn’t just be the developers who have the say in whether a building should or shouldn’t be landmarked. Developers are not the only ones who invest in this city, we all do.”

Historic districts (which arose as an underlying development issue) are not, Breen emphasized, designated without the desire and agreement of the community, “the people who live here.” Viewing historic districts as pointless, Kenneth T. Jackson, Professor of History and Social Science of Columbia University, said that people are interested in individual buildings. He has never heard of anyone saying that they want to come to New York to visit a historic district.

LANDMARKING PROCESS NEEDS REFORM – Steven Spinola 
The main mantra of Steven Spinola, President of the Real Estate Board of New York, was the process of landmarking which he felt was overly aggressive and out of control. His concerns were felt by all on the board: The process is in dire need of change. The changes needed include a specific time frame so that development is not stifled by a prolonged indefinite process, consideration of job creation, revenue, impact on the city itself, and affordable housing.

In an attack on Spinola’s view of landmarking, a question was posed regarding REBNY’s survey of 500 buildings for potential designation resulting in not one potential landmark. But Spinola allayed the concern by explaining that as the buildings were reviewed one by one, they were either substantially altered, had a problem with structural integrity, or poor copies of the real thing.

Steven Spinola’s concern about landmarking reached beyond the process to a concern for owners who were uninformed of the requirements of upkeep. What is needed are design guidelines which, he informed us all, he had been requesting for many years without any results. It is a major issue for owners and they should know what specific changes are permissible for their designated property.

AFFORDABLE HOUSING NOT NECESSARILY CAUSE & EFFECT – Ronda Wist 
Ronda Wist, vice president of Municipal Art Society of New York, attacked the main question in a congenial venn diagram approach, explaining that there were many things that all panel members agreed upon while having their own opinion on some aspects. She agreed permits being held up at the 11th hour should not be the norm. Moving away from numbers of how many affordable housing units were here or there, Wist chose to focus on cause and effect. In her own neighborhood, which is not landmarked, there wasn’t a single affordable housing unit concluding that lack of affordable housing was not the effect of landmarking.

TOP 10 LARGEST BUILDINGS IN THE WORLD, NYC HAS ZERO – Kenneth T. Jackson 
Kenneth T. Jackson, Professor of History and Social Science of Columbia University, had much to say about the detriments of landmarking. History, he claimed, is not about the buildings, it is about the people. “We need to expand our understanding of history.” Tossing out the idea of retaining old buildings, Jackson focused on affordable housing, progress and building “new.” “History is for losers,” he interjected at one point during the forum discussion.

He also noted that at one time New York City had 9 out of the 10 tallest buildings in the world; now we have zero. We are not building, what we have is too expensive, and we need more housing. If you want to live in a city, you need to expect change. This change should be decided by appealing to the 20-somethings who are around the country and want to move to New York.

A NEW GENERATION OF PRESERVATION & DEVELOPMENT - Nikolai Fedak 
Nikolai Fedak, founder and editor of New York YIMBY (Yes In My Back Yard), was in agreement that we need to build, but current buildings are not meeting the needs of the coming generation of young business entrepreneurs. Fedak was the voice of this new generation. He was clear and concise, stating that the city is about dynamic change; we need good development, not prohibitive development. While some buildings need to be preserved he noted, “landmarking is being used as a political tool rather than a tool to preserve what needs preserving. Politicians parlay to their own ends.” The new tech generation of business entrepreneurs need small esthetically pleasing spaces that are built to provide what is needed. Clearly forward looking, his focus was on finding ways to negotiate without compromising one’s stand on preservation and development.

BOTTOM LINE 
Toward the end, the floor was opened to attendees who seemed more bent on venting than asking questions. As the panelists gave their closing few words, it was clear that several issues were the concern of most: The city needs to progress; affordable housing needs to be included in all development, not just landmarked ones; the process of landmarking needs reform; landmarking needs to be a proactive process, not a reactive one; and it needs to be future thinking.

The best part of these events is having a moment to discuss issues one-on-one. I had the opportunity to speak with several panelists post-forum. It was clear that the wheels are turning on ideas of how to address the concerns voiced while integrating the needs of both preservation and development. As I stood outside the beautiful New York Athletic Club speaking with Nikolai Fedak, we agreed that the Hearst Tower on 57th is a great example of marrying the old with the new. “All buildings should be like that,” Fedak commented. And in response to my noting his very balanced view on preservation and development during the forum, he replied, “If we can’t come to an agreement, what is the point?”

Hear, hear!


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Shakespeare, Puck, and the Drama of Preservation

12/14/2011

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_ The architecture of New York City buildings can often put me in a trance. I find the detail work mesmerizing, so when I look for a building to write about I have to admit that I will choose one which has interesting artwork over one which has a longer history. But how often does a building have gorgeous architecture, a fascinating history, and a story that springs from Shakespeare? For those of us who appreciate historic landmarks and have a romance with Shakespeare and drama, the Puck Building in lower Manhattan on Lafayette Street proves irresistible.

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The Puck Building, 1897 as it is being braced during razing.
(The World, 30 September 1897)
__PUCK HISTORY

The Puck Building, named after the famous character in Shakespeare’s Midsummer Night’s Dream, was built between 1885-86 by Jacob Ottoman. The crenelations and eyebrows over the multiple arched windows of the German Romanesque Revival styled building are as enchanting as the character “Puck.” Henry Bunner the editor of the weekly magazine, “Puck” which began about 1876, later moved to the building which became its namesake. The publication sparkled with political wit, poked fun at those in the limelight and claims to have helped develop the careers of world renowned figures including Mark Twain and Thomas Edison. The building was once the world’s largest center for printing and lithography. But it suffered the pain of tragedy and change from the start. Shortly after completion in 1886 it was threatened with having forty feet shaved off to make way for Elm Street (now Lafayette) which otherwise would have run straight through the building. A few years later several of the top floors were gutted by fire. Through the years it has been the scene of payroll robberies, elevator accidents, and the suicide of an unidentified man who hung himself on the roof just near the Puck statue. Shortly after the building’s tenth birthday, pedestrians feared for “life and limb” as bricks fell randomly during the razing of two-thirds of the building. Of even greater concern was the possibility that the building would collapse. In the early 1900s the weekly magazine became defunct after Hearst Publications, the new owner, disbanded it. The building, after having been closed for many years, was re-opened in 1983 and currently houses commercial space as well ballrooms for events such as weddings, meetings, trade shows, and dinners.

SHAKESPEARE DRAMA IN THE 21ST CENTURY

The Puck Building is susceptible to the winds of change once again. Jared Kushner, (aka Ivanka Trump’s husband) awaits the decision of the board on the morning of November 15th. This is the third time he has applied to alter the existing structure with a rooftop addition that bears little resemblance to the original structure adorned with beautiful crenelations, arches, and detail work. During the original presentation several months prior, Jared passionately extolled his love for the building and his architect interjected the story of “Puck” for a dramatic affect.  I imagine that the Kushner team was hoping that three times would be the charm, as the saying goes, but the results of the hearing proved that rule fallible. Despite the architect’s gentle modification of the structure, the board was not impressed enough to accept what they considered a massive, visible addition. They were even less affected by the waving of arms and wiggling of fingers in an expressive story-telling fashion by Sherida Paulsen, the architect, as she described how her father had given her a book of the Shakespearean comedy. They remained focused on the enormity and visibility of the addition with the concern that more attention would be drawn to the new attachment rather than to the building itself. One board member commented that while the story of Puck and its relation to the design is interesting, the average person walking on the street would not be thinking about that when they saw the monstrosity atop the building. “Perhaps I am romantically challenged,” he added. After questions were answered and deliberation among the members was completed with no action taken, a parting remark of, “See you…again…soon,” indicates that this is not the end of the Puck Building saga.
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Above: Proposed rooftop structure

Right: The Puck Building as of 13 December 2011
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